#Adobe encore cs6 vs premiere cc 2015 update#
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#Adobe encore cs6 vs premiere cc 2015 software#
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#Adobe encore cs6 vs premiere cc 2015 pro#

Dragging the XML file created to Premiere Pro CC imports the project and all associated clips. The footage and project file will then appear on your desktop system and can be edited further there. There is direct support for the Adobe Premiere Clip smartphone app, which lets you grab footage, perform some simple editing, and then sync to your Creative Cloud space. You can create libraries of assets, synchronise them via Creative Cloud, and share them with collaborators so they appear right inside their own copy of Premiere Pro and can be used on their projects. Video assets aren’t included, just Lumetri Looks, graphics, character styles and colours.

#Adobe encore cs6 vs premiere cc 2015 full#

You don’t get the full range of what can be stored in the Creative Cloud Libraries within Premiere Pro CC, however. More links with these facilities are now built into Premiere Pro CC.

#Adobe encore cs6 vs premiere cc 2015 software#

The Welcome screen you see when you first load the software has had a makeover, too, although you probably won’t be spending a lot of time looking at that.Ĭollaborative working and the cloud are increasingly in vogue, and Adobe has been developing tools to leverage this for a few years now. All can be reconfigured and saved, and you can create your own as well. There are also Assembly, Editing, Effects, Audio, and Metalogging layouts. Adobe Premiere Pro CC 2015 – Workspaces and CollaborationĪlthough Premiere Pro has had customisable workspaces for a while, with 2015 there is now a whole selection of these, the Color option being just one. So quite powerful grading is available without the need to leave the Premiere Pro interface, which will definitely make proper grading even more popular than it has already become. But you do get a whole bunch of Look presets the ability to import external looks and LUTs in most of the popular formats a selection of adjustments including sharpening, fading, vibrance and saturation and tint colour wheels for shadows and highlights. You don’t get sophisticated functions from SpeedGrade like the colour matching ability (which is a quite astounding feature). The Color workspace preset rearranges the Premiere Pro interface so the Lumetri Color settings window is on the right and the Scopes window is on the left.

#Adobe encore cs6 vs premiere cc 2015 windows#

But there are now windows for Lumetri Scopes and Color adjustments. The end results are still applied via the Lumetri colour filter, which has existed in some form since Premiere Pro CC first arrived. This isn’t so much a new filter effect but a whole toolbox inside Premiere Pro. This is provided via a new Lumetri colour workspace. So Adobe has brought technologies from SpeedGrade and Lightroom into Premiere Pro. However, for lots of jobs SpeedGrade is overkill, especially for a quick bit of grading. Adobe acquired IRIDAS’s excellent SpeedGrade around four years ago, and it has been part of the Creative Cloud offering since with CS6. This didn’t look out of place, and I can safely say I will be using this transition in interview work from now on.Īnother significant area of enhancement is colour. I tried this on a corporate video with a well lit, contrasting background and the result was surprisingly good, although there was some spurious mouth motion along the way.

This analyses the background, so it can figure out which bit of the frame is the talking head, then blends the two clips together so there is a seamless flow from one section to the next. So when it’s necessary to reduce the interview length, you either end up with a jump cut or have to use a cross dissolve that is almost as bad.Įnter the Morph Cut. The Morph Cut transition is designed for those times when you’ve shot a talking head but only have one usable camera angle, and not much B-roll for cutaways. There aren’t a whole lot of new effects in this version of Premiere Pro, but one in particular is garnering a fair bit of interest. Adobe Premiere Pro CC 2015 – Morph Cut and Colour Workflows

Here, I take a look at what’s new in the 2015.0.2 release, aka 9.0.2. There have been a few sub-versions since I reviewed the first version of Premiere Pro CC, including improvements to the first release, and three iterations of the 2014 version. Now that the software is exclusively available via the Creative Cloud service, updates are more incremental and there is less hoopla when a major new release arrives.

#Adobe encore cs6 vs premiere cc 2015 update#

Premiere Pro CC 2015 is the most recent update to Adobe’s flagship non-linear video editing package.